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Ориенталистика. 2018; 1: 371-393

Тринакирана мудра в буддийской иконографии Мьянмы и Таиланда

Грунин И. В.

https://doi.org/10.31696/2618-7043-2018-1-3-4-371-393

Аннотация

Принято считать, что в иконографии Тхеравады воплощены реальные или легендарные события жизни Будды Гаутамы (Готамы). На примере эпизода встречи Бодхисаттвы (Бодхисатты) с Соттхией в статье проводится анализ устойчивости иконографического кода, отражающего жизнь основателя буддийского учения. Развитие воплощения эпизода в буддийской иконографии прослеживается начиная с искусства Гандхары через образцы государства монов Дваравати, бирманского Пагана, настенные росписи храмов Бирмы и Сиама XVII-XVIII вв. вплоть до современной иконографии Мьянмы и Таиланда.

Список литературы

1. Frankfurter O. The Attitudes of the Buddha. Journal of Siam Society.1913;10.2:1-35.

2. Hargreaves H. Handbook to the Sculptures in the Peshawar Museum. Calcutta:Government of India Central Publication Branch; 1930. 111 p. Available at: https:// archive.org/details/in.gov.ignca.22478

3. Ihsan Ali, Muhammad Naeem Qazi (eds) Gandharan Sculptures in thePeshawar Museum (Life Story of Buddha). Pakistan: Hazara University MansehraNWFP; 2008. 309 p. Available at: https://archive.org/details/GandharanSculpture sInPeshawarMuseum

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20. Promsak Jermsawatdi. Thai Art with Indian Influences. New Delhi: AbhinavPublications; 1979. 158 p.

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Orientalistica. 2018; 1: 371-393

Trinakirana mudra in Buddhist iconography of Myanmar and Thailand

Grunin Igor V.

https://doi.org/10.31696/2618-7043-2018-1-3-4-371-393

Abstract

It is considered to be that the iconography of Theravada embodies the real or legendary events of the life of the Buddha Gautama (Gotama). Using the episode of the Bodhisattva (Bodhisatta) meeting with Sotthiya as an example, the article analyzes the stability of the iconographic code that reflects the life of the founder of Buddhism. The development of the episode in Buddhist iconography is traced from the art of Gandhara through the samples of Dvaravati Mons, Burmese Pagan, temple wall paintings of Burma and Siam 17-18th centuries up to the modern iconography of Myanmar and Thailand.
References

1. Frankfurter O. The Attitudes of the Buddha. Journal of Siam Society.1913;10.2:1-35.

2. Hargreaves H. Handbook to the Sculptures in the Peshawar Museum. Calcutta:Government of India Central Publication Branch; 1930. 111 p. Available at: https:// archive.org/details/in.gov.ignca.22478

3. Ihsan Ali, Muhammad Naeem Qazi (eds) Gandharan Sculptures in thePeshawar Museum (Life Story of Buddha). Pakistan: Hazara University MansehraNWFP; 2008. 309 p. Available at: https://archive.org/details/GandharanSculpture sInPeshawarMuseum

4. Luce G. H. Old Burma - Early Pagan. Vol. 1: Text. New York: J. J. Augustin Publisherfor Artibus Asiae and the Institute of Fine Arts, New York University; 1969. 422 p.

5. Kieffer-Pulz P. Rules for the sima Regulation in the Vinaya and its Commentariesand their Application in Thailand. Journal of the International Association of BuddhistStudies. 1997;20(2):141-153.

6. Murphy S. A. The Buddhist Boundary Markers of Northeast Thailand and CentralLaos, 7th-12th centuries CE: Towards an Understanding of the Archaeological, Religious and Artistic Landscapes of the Khorat Plateu. Ph. D Diss. London: University of London;2010. 479 p.

7. Stadtner D. M. Ancient Pagan. Buddhist Plain of Merit. Bangkok: River Books;2005. 286 p.

8. Galloway C. K. Burmese Buddhist Imagery of the Early Bagan Period(1044-1113). Ph. D Diss. Canberra: The Australian National University; 2006. 307 p.

9. Scenes of the Life of Buddha. Yangon: Myanmar Heritage Publications;2016. 184 p.

10. Bhaddanta Vicittasarabhivamsa, Venerable Mingun Sayadaw. The GreatChronicles of Buddhas. Singapore edition. Singapore; 2008. 1697 p. Available at: https://ru.scribd.com/doc/192541334/The-great-chronicles-of-Buddhas- Singapore-edition

11. Fausboll V (ed.), Rhys Davids. T. W. (transl.) Buddhist Birth Stories; Or, JatakaTales. The oldest Collection of Folk-lore Extant: Being The Jatakatthavannana. Vol. I,Translation. London: Trubner & Co.; 1880. 347 p. Available at: https://archive.org/ details/buddhistbirthst00fausgoog/page/n7

12. Green A. Deep Change? Burmese Wall Paintings from the Eleven to theNineteenth Centuries. Journal of Burma Studies. 2005/06;10:1-50. DOI: 10.1353/ jbs.2005.0002.

13. Chew Anne-May. The Cave-temples of Po Win Taung, Central Burma. Architecture,Sculpture and Murals. Bangkok: White Lotus Press; 2005. 311 p.

14. Munier C., Myint Aung. Burmese Buddhist Murals. Vol. 1: Epigraphic Corpus ofPowin Taung Caves. Bangkok: White Lotus Press; 2007. 451 p.

15. Munier-Gaillard C., Kirichenko A., Aung K. La vie du Bouddha: Peinturesmurales de Haute-Birmanie. Editions Findakly Suilly-la-Tour; 2017. 144 p.

16. Damrong Rajanubhab. Monuments of the Buddha in Siam. 2nd ed. Bangkok: TheSiam Society; 1973. 60 p.

17. Kornev V. I. Buddizm i obshchestvo v stranakh Yuzhnoi i Yugo-VostochnoiAzii. M.: Nauka; 1987. 220 s.

18. Matics K. I. Gestures of the Buddha. 3rd ed. Bangkok: Chulalongkorn UniversityPress; 2004. 295 p.

19. Bunce F. W. Mudras in Buddhist and Hindu Practices: an iconographicconsideration. 2nd ed. New Delhi: D. K. Printworld; 2009. 346 p. Available at: https:// archive.org/details/MudrasInHinduAndBuddhistPracticesAnIconographicConsider ationFredrickBunceW.D.K.PrintWorld/page/n1

20. Promsak Jermsawatdi. Thai Art with Indian Influences. New Delhi: AbhinavPublications; 1979. 158 p.

21. Songyot Weerataweemat. Royal Buddhist Architecture of the Early BangkokPeriod. Investigations in Symbolic Planning. Ph. D Diss. York: University of York;1999. 365 p.

22. Leidecker K. F., Hampe R., Vanarat S. P. The Life of the Buddha according to ThaiTemple Paintings. Bangkok: Literary Licensing, LLC; 1999. 184 p.

23. Sao Htun Hmat Win. Burmese Buddhist Iconography (in Burmese). Rangoon,1977.